Movies

Here are a couple films from the mid-'60s, given to Gordon Rosenblum at the time, which surfaced this year needing preservation. I don't know what to...

"Black Vision is inspired by the only passage in Jean Paul Sartre's writings which has ever specifically concerned me – the passage from Nausea...

This is the twelfth film in the twenty-part Arabics series. Brakhage creates blurry visual fields that are profoundly without ground, worlds of...

An anatomy of violence. Four young men and two young women are on a drive. There's a rivalry between two guys for one of the girls. On a remote road,...

The film begins with a series of horizontally running ocean tide waves, sometimes with mountains in the background, hand-painted patterns, sometimes...

This is a film inspired by Gertrude Stein's "Stanzas In Meditation", in which the filmmaker has edited a meditative series of images of landscapes...

This, the second film of the continuing autobiographical Duplicity series, is composed of superimpositions much as the mind "dupes" remembered...

Many white interruptive frames and absolutely straight-edged multi-colored lines amidst "clouds" of color, finally thickened into blobs with lengthy...

SONG 9: Wedding source and substance (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced...

SELF SONG documents a body besieged by cancer. The amber glow of flesh suggests both victory and submission to death. Blackness surrounds the image...

Fulton made the film during his brief time at Harvard, where he had been invited to teach by Robert Gardner, his friend and collaborator (Fulton...

Interplay of toned rectangular shapes, vertical and horizontal and diagonal lines in juxtaposition with hardened darker shapes which gradually shift...

Maya Deren is a legend of avant-garde cinema. This authoritative biography of the charismatic filmmaker, poet and anthropologist features excerpts...

"In his description for A CHILD'S GARDEN, Brakhage quotes from poets Ronald Johnson and Charles Olson (and cites Johnson's poem "Beam 29" as...

This film was conceived about 10 years ago when I heard Norman O. Brown define "Tragedy" as "goat-song" (or as Webster has it: "Greek tragoidia fr....

Ten deliberately untitled films, each separated on the reel by several ft of black leader. #1 begins with blue negative face of child, ends with...

Prelude 21 is most characterized by the double-time of single-frame printing of extremely thick swatches of multiple colors as if in a furiously...

A visualization of the inner world of foetal beginnings, the infant, the baby, the child - a shattering of the "myths of childhood" through...

Persian Series #18 is almost calligraphic in its overlays of dark (occasionally colored) glyphs backed by brilliant color motifs.

A bursting of mostly golden light forms as if heralding sunlight itself in their hurried (single-frame) display.