Movies

An experimental short film by John Whitney Sr. which combines animated shapes and colors; Computer graphics as dynamic, swirling art. Preserved by...

An abstract computer-generated animation set to music by Terry Riley.

The entire film is divided into four consecutive chosen approaches—the fourth section devoted to a reiteration and extension of the original...

John Whitney's pioneering work of computer animation, Arabesque, from 1975. This flowing, abstract short film is a wonder to behold, a work of art....

Two short fragments resulting from experiments in controlling the mechanical development of the instrument. Preserved by the Academy Film Archive in...

Home movies shot on Super 8mm by W+B Hein over 10 years.

Several well-known and pioneering abstract filmmakers discuss the history of non-objective cinema, the works of those that came before them and their...

A silent black and white computer graphic short film specially made to accompany John H. Whitney's Lecture on Digital Harmony at Cranbrook, British...

Begins with a three beat announcement drawn out in time which thereafter serves as a figure to divide the four sections. Each return of this figure...

Directed by John Whitney.

Opens with a short canonical statement of a theme upon which the entire film is constructed. The canon is repeated in contrasting variations by means...

Moon Drum offers an impressionistic evocation of the mood, color and feel of native American art created by computer graphics.

A piece of abstract cinema by John Whitney. A series squares follow a 3-dimensional track, each one with a slight delay after the other.

Early 'visual music' film by John Whitney. Preserved by the Academy Film Archive in 1999.

Collection of Computer Graphic effects.

John Whitney, Sr. one of the early pioneers in films made by computer-driven cameras explains and demonstrates his work. Shot on location at...

Short film by John Whitney. Preserved by the Academy Film Archive in 1999.

(ca.1949, 16mm, b/w, sound, 3min.)

A Personal Search For the Complementarity of Music and Visual Art (1992) uses the concept of complementarity to make sense of the confusion that...