Movies

2023. USA. Directed by Ernie Gehr. Digital. 6 min.

2023. USA. Directed by Ernie Gehr. Silent. Digital. 22 min.

Nothing extraordinary. Just a ride on the S-Bahn (elevated train) through a small section of what used to be East Berlin. An anxious journey fraught...

“It’s a mysterious field, this screen rectangle populated by haunting phantasmagoric phenomena, be it representational or just patterns...

"The second piece on this program, Aproposessexstreetmarket, is what I consider to be the heart of the trilogy. It offers glimpses to the kind of...

In New York Lantern and Photographic Phantoms, a new narrative lyricism and political outspokenness enters Gehr’s cinema, haunted now by...

Abstract short film.

A slice of life. An advanced exploration of motor- coordination. Taking to the streets for a new formulation of optical mechanics in a darker key and...

A stereoscopic view of a suburban backyard.

This film accompanies Ernie Gehr: Mechanical Magic.

The film is a half-hour series of brief close-ups of people on the street, shot from a high, but still intimate, angle. In a constant interplay of...

City is grounded in the familiar everyday world of the street. Yet, the ground often gives way plastically, opening up a dense and paradoxical field...

Inconvenient miracles escape prediction but require attention. Roadblocks are building blocks for daily adventures in seeing. Snowscreens. —M....

“For Gehr, SHIFT broke new ground, hence perhaps a pun in its title. The film is his first to employ extensive montage. The actors are all...

Lyrical debut film of avant-garde/structuralist filmmaker Ernie Gehr. Morning light streams through a window in Gehr's apartment. As Gehr changes the...

2010. USA. Directed by Ernie Gehr. Digital. 8 min.

Inside/out at whisper speed, symmetries in locomotion churn soft and feathery floating like a dream. A nocture before nightfall. -M.M.

The past is never delineated through Gehr‘s film, an unorthodox “city symphony” composed of largely static compositions of West...

A no-holds-barred trip into painterly abstraction — where an Agnes Martin painting meets a rapid-fire back-and-forth Gerhard Richter squeegee...

Humor without a banana peel.